Tonight, Bay Area thrash icons DEATH ANGEL will kick off an epic run of live dates supporting Slayer and Anthrax. The latest trek, which commenced with a string of headlining dates September 4th, will run through October 30th and level over three dozen stages with an included stint on Rock Allegiance in Chester, Pennsylvania alongside Ghost, Killswitch Engage, Hellyeah and many more. See the band’s full schedule below.
DEATH ANGEL w/ Slayer, Anthrax:
9/09/2016 Jacob’s Pavilion – Cleveland, OH
9/10/2016 Freedom Hill Amphitheatre – Detroit, MI
9/11/2016 Streeters Ground Zero – Traverse City, MI #
9/12/2016 Sound Academy – Toronto, ON
9/13/2016 Metropolis – Montreal, QC
9/15/2016 Stage AE – Pittsburgh, PA
9/16/2016 Anthology – Rochester, NY (Anthrax, DEATH ANGEL, Avatar)
9/17/2016 The Chance – Pougheepsie, NY **
9/18/2016 Rock Allegiance – Chester, PA [info]
9/20/2016 Egyptian Room – Indianapolis, IN
9/21/2016 Conchord Music Hall – Chicago, IL #
9/22/2016 The Pageant – St. Louis, MO
9/23/2016 Riverside Warehouse – Shreveport, LA #
9/25/2016 1904 Music Hall – Jacksonville, FL **
9/27/2016 Hard Rock Live – Orlando, FL
9/28/2016 Fillmore – Miami, FL
9/29/2016 Club LA – Destin FL #
9/30/2016 Horseshoe Casino Tunica – Tunica, MS
10/01/2016 The Warehouse – Clarksville, TN **
10/03/2016 Norva – Norfolk, VA
10/04/2016 The Orange Peel – Danville, VA (Anthrax, DEATH ANGEL, Avatar)
10/05/2016 Tabernacle – Atlanta, GA
10/06/2016 Varsity Theater – Baton Rouge, LA **
10/07/2016 Gas Monkey Live – Dallas, TX
10/08/2016 ACL at the Moody Theatre – Austin, TX
10/10/2016 Fillmore – Denver, CO
10/11/2016 The Complex – Salt Lake City, UT
10/13/2016 The Wilma Theatre – Missoula, MT
10/14/2016 Hitt Event Center – Idaho Falls, ID #
10/15/2016 Revolution Concert House – Garden City, ID #
10/16/2016 Knitting Factory – Spokane, WA #
10/17/2016 ENMAX Center – Lethbridge, AB
10/19/2016 South Okanagan Events Centre – Penticton, BC
10/20/2016 Abbotsford Centre – Abbotsford, BC
10/21/2016 Hawthorne Theatre – Portland, OR #
10/22/2016 Gibson Ranch/Aftershock – Elverta, CA **
10/23/2016 Reno Events Center – Reno, NV
10/24/2016 LVCS – Las Vegas, NB **
10/25/2016 Orpheum Theater – Flagstaff, AZ #
10/26/2016 Top Deck – Farmington, NM #
10/27/2016 El Paso County Coliseum – El Paso, TX
10/28/2016 Club Red – Mesa, AZ **
10/29/2016 Whiskey A Go Go – Hollywood, CA **
10/30/2016 Brick By Brick – San Diego, CA **
** DEATH ANGEL only
# Anthrax, DEATH ANGEL only
DEATH ANGEL will be touring in support of their newest full-length The Evil Divide, released earlier this Spring via Nuclear Blast Records. The Evil Divide was recorded at AudioHammer studios in Sanford, Florida with producer Jason Suecof (Trivium, Deicide), who previously worked on 2010’s Relentless Retribution and 2013’s The Dream Calls For Blood. Mastering duties were handled by Ted Jensen at Sterling Sound in New York City.
Three decades into their celebrated career, DEATH ANGEL remains as hungry as ever. As a result, uncompromising urgency and unpredictability drive The Evil Divide. The group – vocalist Mark Osegueda, lead guitarist Rob Cavestany, guitarist Ted Aguilar, drummer Will Carroll, and bassist Damien Sisson – satiate the appetite for buzzsaw speed riffs, double bass mayhem, and scorching vocals over the course of ten new anthems.
The Evil Divide stands out as the culmination of thirty-plus years of music for DEATH ANGEL. It kicked off with legendary debut, The Ultra-Violence, in 1987. The classic Frolic Through The Park began to cement their legacy and even earned the distinction of landing on Loudwire’s list of the “Top Ten Thrash Albums NOT Released By The Big 4.” The group broke up following 1990’s Act III only to reunite in 2004 on Art Of Dying for the next generation.
In 2008, DEATH ANGEL teamed with producer Nick Raskulinecz (Foo Fighters, Alice In Chains, Rush, Mastodon) for Killing Season recorded at Dave Grohl’s Studio 606. In 2010, Relentless Retribution boasted a cameo from virtuosos Rodrigo y Gabriela, while 2013’s The Dream Calls For Blood bowed at #72 on the Billboard Top 200, selling 5,400 copies first-week and earning the group’s first-ever entry onto that respective chart.
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