Photo by Tracey Roberts
Pelagic Records commemorates the work of electronic music pioneer LUSTMORD by releasing a box set titled The Other, based around his tenth studio album [ O T H E R ], originally released in 2008. Next to this seminal mid-career opus, the box set contains the two remix albums Beyond and The Dark Places Of The Earth, as well as The Others [Lustmord Deconstructed], a new 3xLP album of LUSTMORD tracks reinterpreted by some of the spearheads of the contemporary heavy music scene – and beyond: Ulver, Enslaved, Godflesh, Zola Jesus, Bohren & Der Club Of Gore, Steve Von Till, Ihsahn, Jaye Jayle, Jo Quail, Spotlights, Katatonia’s Jonas Renkse, Alexander Hacke’s [Einstürzende Neubauten] new band hackedepiciotto, as well as fellow Pelagic artists Mono, The Ocean, Årabrot, and Crown.
Today sees the release of second single with Bohren & Der Club Of Gore’s interpretation of LUSTMORD’s “Plateau.” With “Plateau,” Bohren & Der Club Of Gore travel into LUSTMORD’s desert at night, where a vast sky of ambiance stretches out like the desert silence of mysterious potential. Adding touches of eerie piano that stumble footprints into the sand, and Arabian horn calls that signify a long, perilous journey ahead, one feels like a patient, but weary hooded pilgrim on a sacred quest into the unknown.
Stream Bohren & Der Club Of Gore’s rendition of “Plateau” at THIS LOCATION.
Stream Godflesh’s interpretation of “Ashen” HERE.
The Others [Lustmord Deconstructed] is a celebration of the fearless attitude of being different and the expression of unique ideas which have never existed before. LUSTMORD is the artistic moniker of Brian Williams. Born in North Wales, he started his musical career in 1980 and soon became a pioneer in the early industrial music scene in the UK. He was a former member of SPK during arguably their most crucial era, and went on to work with Throbbing Gristle members Chris Carter and Cosey Fanni Tutti as well as appearing on early albums by Current 93, Nurse With Wound and others. After relocating to Los Angeles in 1993, Williams worked on dozens of motion picture soundtracks including The Crow, Underworld, and Paul Schrader’s First Reformed. Additionally, he created several video game soundtracks, television scores, and solo albums, as well as collaborating with artists as varied as The Melvins, Clock Dva, Jarboe, John Balance of Coil, Paul Haslinger (Tangerine Dream), Puscifer, Wes Borland, and more, including Grammy Award winners Tool on their acclaimed Fear Inoculum. To this day, LUSTMORD is actively recording and releasing music, his latest release being the collaborative album Alter with Karin Park of Årabrot, and he is considered to be the founding father of the dark ambient music genre.
[ O T H E R ] was originally released by independent record label Hydra Head Records, founded by Isis frontman Aaron Turner and former home of bands such as Converge, Pelican, Jesu, Sunn O))), and Boris. As one journalist put it at the time, [ O T H E R ] is a, “grim example of a consummate artist who is working firmly within the parameters that he has laid out for himself over the years.” This album shows LUSTMORD at his most characteristic, and the icy, ominous guitar playing of Adam Jones (Tool), King Buzzo (The Melvins), and Aaron Turner (Isis) resonates perfectly within the deep soundscapes that make up this frightening yet inspiring journey. As a matter of fact, the material on [ O T H E R ] is so powerful that it moved Williams to create two ambient remix versions of it, and one dub remix EP exploring the sounds of this record to the greatest extend of his ability.
Over thirteen years after the release of [ O T H E R ], Pelagic Records has gathered sixteen bands and solo artists to record their own unique takes on tracks from the [ O T H E R ] sessions. The result is an album that is more than a compilation, and more than the sum of its parts; covering a wide range of musical niches and directions, but sharing the same underlying mood and vibe defined by LUSTMORD’s timeless soundscapes: from the ambient solo performances provided by Ihsahn, Enslaved, or Jonas Renkse to the subdued voice of Zola Jesus woven into LUSTMORD’s somber fabric to the industrial carnage that is Godflesh’s version of “Ashen.”
What demonstrates the profound influence of LUSTMORD on this contemporary music underground showcased here is that artists from disparate ends of the sonic spectrum all feel inspired to explore the essence of his idiosyncratic sounds within their own realm: experimental electronica icons Ulver excel on a stunning, hazy rendition of “Godeater,” while Japanese post-rock act Mono delivers a crushing version of “Er Eb Os,” and The Ocean takes us on a cathartically heavy mind trip back to our “Primal [State Of Being].” In the end, each of these sixteen artists delivers an interpretation that pays the deepest respect to this pivotal artist, while also standing out as a new track of its own.
The Others [Lustmord Deconstructed] is not only a tribute and an excellent entry point into the discography of the founding father of dark ambient, it is also a celebration of the most accomplished visionaries in the underground music scene of today, and a manifestation of what binds them together. As LUSTMORD himself often put it in interviews, “Copying someone you like with the right equipment isn’t going to be the least bit interesting. What matters is that you have good ideas and interesting things to say.”
The Others [Lustmord Deconstructed] will see release on CD, LP, vinyl, and digital formats on April 1st. Find preorders at THIS LOCATION.
Bohren & Der Club Of Gore
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